Benedictine Monastery, Rajhrad
Rajhrad, near Brno, Moravia, Czech Republic
1691; 1721–1739; 1763–1770; 1840
Jan Blažej Santini-Aichl (1677–1723, Prague), František Benedikt Klíčník (1677 Ivanovice na Hané – 1755 Brno), Jan Jiří Etgens (1691–1757, Brno), Ignaz Lengelacher (1698 Unter Paissenberg – 1780 Baden), Ondřej Schweigl (1735–1812, Brno), Josef Winterhalder Jr. (1743 Vöhrenbach – 1807 Znojmo)
Religious – Monastery
The monastery is one of the largest in South Moravia and the only one owned by the Benedictine order. It was established in around 1025 as a branch of a monastery in Prague-Břevnov, on a site of an old settlement. Until the 17th century it maintained a largely Romanesque appearance (reconstructed to a design by A. Erna in 1670). The reconstruction, triggered by efforts to promote the monastery to an abbey, started in 1721. The majority of the original buildings were demolished and the restoration was only completed in 1840. From 1540 onwards Rajhrad provosts held seats in the Provincial Assembly. The monastery played a key role in local education and in the development of the economy establishing the tradition of winemaking and beer brewing, and facilitating the construction of hospitals, workhouses and orphanages. After 1623 the monastery housed a prestigious school. It is famous for its large picture gallery which acquired art works from dissolved monasteries and chateau collections. Among the monastery’s valuable collection is the Rajhrad Altar (c. 1420).
The monastery church was surrounded by four courtyards. In front of the west front is the prelature, in the south section the monastery, and opposite are two farmsteads. Unfinished west spires from the late 17th century were later incorporated into the church building. Structural engineers faced problems with the swampy terrain. Santini’s design was executed by the Brno builder F. B. Klíčník who reduced the number of neo-Gothic motifs, especially at the front. The niches contain statues of St. Vojtěch and the hermit, St. Vintíř. The gable between the spires features a mosaic of the Immaculate Conception (1895). The church, of a triplicate ground plan with a central octagon, is 79.5 m long. Triumphal arches accentuate the depth of the longitudinal space, endowing it with rhythm and monumentality. Santini’s design emphasised the optical effects relying largely on subsequent painting components. J. J. Etgens’s (1726–1729) frescos celebrate the Benedictine order and its spread throughout Europe, Asia and Africa in the first three centuries of its existence. Frescoes above the gallery represent the glorification of the Lord through singing and music.
Above the sacristy, the church presbytery is adjoined by an oratory with an altar to St. Benedict. It was decorated with pictures by J. Zelený, a native of Rajhrad and the first teacher of the artist Alfons Mucha.
The monastery is one of the largest in South Moravia and the only one owned by the Benedictine order. It played a key role in local education and in the development of the economy. The frescos in the church, by the architect Santini, celebrate the Benedictine order and its spread throughout Europe, Asia and Africa in the first three centuries of its existence. The monastery is famous for its picture gallery. It also houses the Museum of Literature in Moravia.
The construction of the monastery is documented by ample sources (correspondence and designs), as well as by records in the monastery chronicle. The original state of the complex is also captured in several engravings.
Ignác Lengelacher (1698 Unter Paissenberg – 1780 Baden)
Relief decorations are symbolically connected with the paintings and the light: a choir of angels in heaven, with God the Father on the wall behind the main altar, and a statue of the Virgin Mary of Rajhrad; statues of St. Peter and St. Paul; bas-reliefs representing the Annunciation, the Crucifixion of St. Peter and the Decapitation of St. Paul; a pulpit with a pelican symbol, symbols of the Evangelists and four Church Fathers; a wood carving in the gallery and stone vases on supporting pillars outside the church, which were executed in the workshop of I. Lengelacher, the court sculptor of the Dietrichsteins.
Ondřej Schweigl (1735–1812, Brno)
The side-altar statues come from the famous Brno workshop of O Schweigl and Benedikt Edel.
Josef Winterhalder Jr. (1743 Vöhrenbach – 1807 Znojmo)
The modello for this side-altar painting is preserved in the collections of the Moravian Gallery in Brno, while a preparatory sketch is in the collection of the Ukrainian Academy of Science, Lviv. The central figure is St. Anne, accompanied by her three daughters with husbands and children including John the Baptist, Thaddeus Jude, Apostle James, and the Virgin Mary, mother of Jesus.
Josef Winterhalder Jr. (1743 Vöhrenbach – 1807 Znojmo)
The church presbytery was rebuilt after an earthquake in 1763 and provided with a new fresco. Although the artist took over the position of J. J. Etgens in Moravia in the second half of the 18th century, he went on to execute commissions mainly of a decorative nature.
Jan Jiří Etgens (1691–1757, Brno)
The library was established shortly after the foundation of the monastery and some of the manuscripts were produced here. A number of important figures, mainly historians, are associated with the library. In the mid-18th century the idea of publishing Czech chronicles found roots here (B. Piter). G. Wolný subsequently wrote 15 volumes of Moravian topography and his work became a cornerstone for the history of Moravia. Dr. B. Dudík, a prominent Moravian historiographer, published over 70 scholarly works and must be given credit for the return of large quantities of ancient manuscripts carried off to Sweden during the Thirty Years’ War. The fresco represents the merits of the Benedictines in the development of the sciences. The library now houses the National Literature Archive.
Ivo Krsek – Zdeněk Kudělka (ed), – Miloš Stehlík – Josef Válka, Umění baroka na Moravě a ve Slezsku, Prague, 1996, pp. 65, 281–282, 286, 477.
Mojmír Horyna, Raigern (Rajhrad) – Propstei mit der Kirche St. Peter und Paul, Kat.-Nr. VI/19, S. 125–128 (VI/3), S. 130–134, in Tausend Jahre Benediktiner Kloster in Břevnov (Ausstellungskatalog), Prague, 1993.
Jiří Kratochvil – Hana Sedalová (ed), Rajhrad. 950 let od příchodu benediktinů na Moravu. 50 let od nástupu ničivého komunismu, Brno, 1998.
Jiří Kroupa, Rajhradský chrám v proboštské korespondenci 18. století, Sborník prací filozofické fakulty Masarykovy Univerzity F 50, 2006, pp. 43–80.
Herbert Karner, „Faciamus hic tria tabernacula“ – Architektur und Deckenmalerei in der Klosterkirche in Rajhrad / Raigern, in Martin Mádl – Michaela Šeferisová Loudová – Zora Wörgötter (eds.), Baroque ceiling painting in Central Europe/Barocke Deckenmalaerei in Mitteleuropa, Prague, 2007, pp. 163–181.
Tomáš Valeš, in: Lubomír Slavíček (ed), Josef Winterhalder d. J. (1743 Vöhrenbach – 1807 Znojmo), Maulbertschs bester Schüler, Langenargen–Brno, 2009.
Copyright images "UDU Czech Academy of the Sciences": Institute of History of Arts of the Czech Academy of the Sciences.
Zora Wörgötter "Benedictine Monastery, Rajhrad" in "Discover Baroque Art", Museum With No Frontiers, 2021. http://baroqueart.museumwnf.org/database_item.php?id=monument;BAR;cz;Mon11_G;8;en
Prepared by: Zora WörgötterZora Wörgötter
AFFILIATION: Moravian Gallery in Brno
TITLE: Museum Curator and Local Co-ordinator
Zora Wörgötter studied Applied Painting at the Secondary School of Applied Arts, Video Art (Faculty of Fine Arts) at the University of Technology in Brno and Art History and Ethnology (Faculty of Arts) at Masaryk University, Brno. She has worked at the Moravian Gallery since 1997 and was curator of the Ancient Art Collection up until 2008. Specialising in Dutch and Central European painting of the 17th and 18th centuries, she has participated in the preparation of several exhibitions, catalogues and research projects in the Czech Republic and abroad, and published in the Moravian Gallery Bulletin, Opuscula historiae artium, and other journals. She is co-ordinator of the Art History Database www.ahice.net for the Czech Republic.
Copyedited by: Jiří KroupaJiří Kroupa
AFFILIATION: Department of the History of Art (Faculty of Arts) Masaryk
Professor Jiří Kroupa studied Art History, History and Sociology Masaryk University, Brno. He was a curator at the Kroměříž Museum and the Moravian Gallery in Brno before joining the staff at Masaryk University in 1988 (Head of the Department 1992–2002; Professor 1999 to present). His particular fields of interest are in the history of architecture, 18th-century cultural history and the methodology of art history. His long list of publications includes an edition on the architect Franz Anton Grimm and an essay “The alchemy of happiness: the Enlightenment in the Moravian context”. He was contributing editor for the volume Dans le miroir des ombres. Moravie a la age baroque. 1670–1790 (2002).
Translation by: Irma Charvátová
Translation copyedited by: Mandi GomezMandi Gomez
Amanda Gomez is a freelance copy-editor and proofreader working in London. She studied Art History and Literature at Essex University (1986–89) and received her MA (Area Studies Africa: Art, Literature, African Thought) from SOAS in 1990. She worked as an editorial assistant for the independent publisher Bellew Publishing (1991–94) and studied at Bookhouse and the London College of Printing on day release. She was publications officer at the Museum of London until 2000 and then took a role at Art Books International, where she worked on projects for independent publishers and arts institutions that included MWNF’s English-language editions of the books series Islamic Art in the Mediterranean. She was part of the editorial team for further MWNF iterations: Discover Islamic Art in the Mediterranean Virtual Museum and the illustrated volume Discover Islamic Art in the Mediterranean.
True to its ethos of connecting people through the arts, MWNF has provided Amanda with valuable opportunities for discovery and learning, increased her editorial experience, and connected her with publishers and institutions all over the world. More recently, the projects she has worked on include MWNF’s Sharing History Virtual Museum and Exhibition series, Vitra Design Museum’s Victor Papanek and Objects of Desire, and Haus der Kulturen der Welt’s online publication 2 or 3 Tigers and its volume Race, Nation, Class.
MWNF Working Number: CZ 08