Name | Dynasty | Details | Justification |
Senator Ratta Banquet | 1693 | Biblioteca Comunale dell'Archiginnasio Bologna, Emilia-Romagna, Italy | This memorable banquet was documented by a series of printed etchings and descriptions. |
The Gourmet | 1720s | Dobó István Castle Museum Eger, Észak-Magyarország / North Hungary, Hungary | Seeking contentedness by drinking and smoking – seen as the minor pleasures of life – was often depicted as a warning to the viewer about how the pleasures of life turn into indulgence. |
Console | First half of the eighteenth century | Palazzo Tozzoni Imola, Bologna, Emilia-Romagna, Italy | This richly decorated console was probably used to display rare and fine tableware. |
Breakfast Set | c. 1776 | Museum of Arts and Crafts Zagreb, North-West Croatia, Croatia | The history of the Croatian border troops is depicted on this renowned Meissen-manufactory ware.Name | Dynasty | Details | Justification |
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Breakfast Set | c. 1776 | Museum of Arts and Crafts Zagreb, North-West Croatia, Croatia | The history of the Croatian border troops is depicted on this renowned Meissen-manufactory ware. | Breakfast Set | c. 1776 | Museum of Arts and Crafts Zagreb, North-West Croatia, Croatia | The history of the Croatian border troops is depicted on this renowned Meissen-manufactory ware. | Breakfast Set | c. 1776 | Museum of Arts and Crafts Zagreb, North-West Croatia, Croatia | The history of the Croatian border troops is depicted on this renowned Meissen-manufactory ware. | |
Sugar bowl | 18th century | Budapest History Museum Budapest, Közép-Magyarország / Central Hungary, Hungary | These kinds of products from the Buda workshop were extremely popular among the Hungarian bourgeoisie and aristocracy of the late 18th century. |
A pair of still-life paintings: Confectionery and Pottery and Confectionery and Flowers | 1676 | Museum and House of Anselmo Braamcamp Freire Santarém, Santarém, Portugal | The symbolic objects and food commonly associated with the Eucharist are set out on the table according to the strict ceremonial rules and etiquette of this very special feast day. The ceramics, however, allude to the daily simplicity of a small Portuguese society.Name | Dynasty | Details | Justification |
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A pair of still-life paintings: Confectionery and Pottery and Confectionery and Flowers | 1676 | Museum and House of Anselmo Braamcamp Freire Santarém, Santarém, Portugal | Expensive tableware and excessively adorned tables represent the sins of lust and vanity which are seen as symbols of transience; alternatively, the peonies allude to salvation and chastity while other flowers depicted symbolise purity, patience and martyrdom. | |