Name | Dynasty | Details | Justification |
Teatrino Aldrovandi Mazzacurati, Villa Aldrovandi-Mazzacurati, Bologna | 1762–1763 | Bologna, Emilia-Romagna, Italy | As it was fashionable in the era to invite prominent personalities to perform on stage or to attend as members of the audience, the Marquis Gianfrancesco Aldrovandi Marescotti and his wife Lucrezia were among the actors of the opening performance of this small theatre inside the Aldovrandi villa. |
Old Residence Theatre | 1751–1753 | Munich historic centre, Munich Residenz, Upper Bavaria, Germany | Following the destruction of St. George's Hall, which was used by the Bavarian court as a theatre, Cuvilliés designed a new opera house. |
Façade, ground-plan and sections of the opera house in Eszterháza | 1784 | Esterházy Palace, Fertőd-Eszterháza, Győr-Moson-Sopron County, Hungary | Supported by the patronage of Prince Miklós (Nicolaus) II Esterházy, F. J. Haydn served as Kappelmeister (Director of music and performance) and court composer at the Esterházy court. |
Puppet theatre | Theatre: c. 1770; marionettes: c. 1750 | Museo di Arte Industriale e Galleria Davia Bargellini Bologna, Emilia-Romagna, Italy | Even though puppet theatres and plays were fashionable during the Baroque-Rococo era, only a few marionettes and dedicated theatres from the period are extant. This precious teatrino is a rare and unique example, therefore. The diagonal perspective of the backdrop and wings show the influence of the Bibienas. |
Theatre room | 1724–1726North wing (3rd floor), Benedictine Abbey of St. Theodor and Alexander | Ottobeuren, Bavarian Swabia, Germany | |
Interior of Teatro dei Vigilanti | 1814–1815 | Portoferraio, Isola d'Elba, Italy | The theatre-loving members of the Accademia dei Fortunati requested a new theatre for the citizens of Portoferraio in 1814 after their theatre in the Villa Mulino, Elba, had been requisitioned as a residence by Napoleon. In exchange, Napoleon selected for them the 17th-century Chiesa della Carmine, which the architect Paolo Bargigli then re-designed as a theatre.Name | Dynasty | Details | Justification |
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The stage curtain of the Teatro dei Vigilanti | 1814–1815 | Portoferraio, Isola d'Elba, Italy | The original Napoleonic stage-curtain, painted by Vincenzo Antonio Revelli, an artist of Napoleonic court, is still in use today following painstaking restoration. Its bucolic image represents Napoleon sitting in an idyllic landscape among shepherds and animals. | |