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                        | Models and ornaments; materials and techniques The inventions of artists and architects were disseminated by means of drawings and/or models to even the most distant parts of the Catholic world where reproductive art prevailed. The inventions of artists and architects were disseminated by means of drawings and/or models to even the most distant parts of the Catholic world where reproductive art prevailed. To match the demands of different commissioners, Baroque artists introduced new ornaments, techniques and materials and applied them to all kinds of objects including tables and chairs, cabinets, mirror frames and carriages. As an important element of style, ornamentation has a language of its own. It is this dialogue between applied art, furniture and architectural decoration that in the 17th-century develops into scrolling and vegetal ornaments, and which later were replaced by rocaille. | 
                                
                                    Model for the Equestrian Sculpture of King Louis XIV
 c. 1669
 
                                    Borghese GalleryRome, Latium, Italy
 
  
                                    Gian Lorenzo Bernini                                 
                                    Terracotta                                 
                                    The terracotta was modelled by Bernini in Rome for an equestrian monument of Louis XIV, but the sculpture itself was executed by his pupils.                                 
                               
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